Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Monday, 11 April 2011

Tales of the Hollow Earth : Cosmology


Enquiring minds would like to know what I've been up to.

I'm a pretty crap blogger, and there are quite a few things have happened since October last year. I just haven't wrote about most of them.

I have very good reasons for this, primary amongst these is that I always forget to, but also that I seem to spend a lot of my time helping out with events and the like and neglect my own stuff.

So, to cut a long story short some of those things are enumerated below:
  1. failed to produce a comic at the Martin Newman organised 24 Hour Comics Day. But I stayed awake and it all worked out for the best.
  2. finished Tales of the Hollow Earth : Entomology, and debuted it at ThoughtBubble. It's allright I think. Getting better.
  3. curated (with Britt and Martin) an exhibition at Made in Newcastle based on the comic I edited for the Paper Jam Comics Collective anthology 'History...and that'. I was very proud of this and think it went really well.
  4. helped out at the International Mini Comics Day a bit, but had decided by this point to look after myself for a change and work on my exhibition. Zine King Mike D and Comics Marathon Master Martin Newman were doing a bloody excellent job making this a great family day in the really excellent surroundings of the Star and Shadow Cinema.
The exhibition, though is what I'm now blogging about.

Here's the promo image:


So what is this here 'Tales of the Hollow Earth : Cosmology' exhibition at the wonderful Made In Newcastle on Grainger Street all about then?

To attempt to answer that question I have written the following blurb.


Tales of the Hollow Earth : Cosmology
Ten pictures by Paul Thompson

ONE : Games

The best board games are those whose depth of complexity and strategy comes from a very small number of easily understood elements and rules.

Chess is considered to be a very deep game – it has six types of piece and, including the rules for their movement, winning conditions and a couple of exceptions, about a dozen rules. Our greatest computers can match our greatest human players.

Go has only one type of piece, and despite or because of this simplicity is so deep that computers still cannot match the best players.

Given a tiny number of rules of engagement, then where does the conflict come from?

TWO : Physics

Why is there something and not nothing, and what is it all made out of?

All matter is made out of molecules and molecules are made out of atoms, are made out of electrons, are made out of elementary particles. These are far too numerous and untidy for anyone to believe that they’re the final word.

But even if physicists successfully pair it down further, where does my motivation come from?



THREE : Stories

Various theories of elements have existed – most commonly four or five, being variations on the theme of: Water, Air, Fire and Earth, occasionally subdividing one, or adding another such as spirit or void.

Unlike the elements of quantum physics, these elements are often associated with properties we would recognise in our daily lives (Hot, Fluid, etc.) both as physical phenomena and componants of a personality/emotional states. These kinds of ideas/metaphors are used as component parts in the system of Tarot.

The twenty two cards of the Major Arcana could represent a single story, which would not be unfamiliar to viewers of the Star Wars Trilogy. Or the Matrix: The Fool, The Magician, The High Priestess, ending with The Sun, Judgement and a return to The World.

FOUR : Comics

Show people two dots and a line and they will see a face. Show them two pictures next to each other and they will begin to construct a story. Now you understand comics.

I write a comic called Tales of the Hollow Earth. The stories in this comic are inspired by science and the tendency to see meaning where there may not necessarily be any.

But what would the subatomic, elemental particles of a fictional word look like? The quanta of Middle Earth is probably very different to the quanta of the universe of Victor Frankenstein, The Justice League of America, Doctor Benway or Calvin and Hobbes.



FIVE: Finding Meaning where it may not Be?

So this exhibition represents early attempts at mapping the fundamental principles on which the universe of my Tales of the Hollow Earth is built. Where does the conflict come from, in that world, where does the meaning and aesthetics come from.

By early attempts, I mean to say that these pictures, which I hope you like on some level, are experiments with these ideas, and not expected to be successful. Recurring themes, some obvious, some not, run through the series. Some of them were deliberate, some I spotted afterwards, and some are entirely your own.

SIX:  Why is there Something and not Nothing?

I’m thankful to Made in Newcastle for the opportunity to have a deadline to work to, without which none of this would likely ever to have became a real, nailed to the wall exhibition.

Why you should care about this personal cosmology isn’t for me to say, I’m afraid and I’m not going to argue strongly that you should at this stage - it's an experiment and a work in progress for me. That said, I hope it works for you on some level.

Thanks for taking the time to look though, please let me know if you got anything out of it. I hope that this meandering was useful to you on some level.

Let me know:

Twitter:           @paulxthompson
Email:              paulxthompson@gmail.com

I’m also working on a board game.

Friday, 24 September 2010

Influence Map


They're all the rage, these influence maps. Click to embiggen. In no particular order:

  • Gustav Klimt
  • German Expressionism
  • Antoni Gaudi
  • Dave McKean
  • Francis Picabia
  • Paul Laffoley
  • Tristan Tzara
  • Marcel Duchamp
  • Jack Kirby
  • Larry Marder
  • Man Ray
  • Mike Mignola
  • Kevin O'Neill
  • Richard Case
  • Simon Larbalastier
  • Vaughan Oliver
  • Pablo Picasso
So what have we learned?

I like pictures which are mostly monochrome, usually brown with occasional red highlights, spindly lines, distorted figures, diagrams, nebulous shadows and boobs.

Tuesday, 21 September 2010

Tower of Babel - Charity Auction

A 14 inch square photographic print will be part of the Crisis Skylight Charity auction at Made in Newcastle on Saturday 25th September.

It's one of the last hand done test prints, and came out slightly darker than the finished prints, but there's only me notices this I guess. If anyone is interested but can't make it to Newcastle, let me know.

This is not a digital image, it's a hand printed photograph of a four dimensional collage.

Monday, 19 July 2010

Unfocused Plasticine


Messing about this evening, felt a bit unfocused... Click image for maximum giffyness.

Monday, 28 June 2010

EGO and Beach

Out and about - attended the EGO festival in Durham, Britt, Daniel and Jack, representing the Paper Jam Comics Collective, then went for a walk up the coast. A good day.

Wednesday, 2 June 2010

Artex & Cosmology

Fake Polaroids : Artex & Cosmology



A bit of messing about with depth, light and fake polaroidiness. Rushed and ill so taken this from where I was sitting. The Shakeit app for the iphone emulates the polaroid green/gloom to the degree where every pic I take reminds me of living in a student flat. Granted, the Artex in the hallway doesn't help and needs to go.





I think the fake polaroid is a fad i've just got to work through. Bear with me.




Tuesday, 1 June 2010

Antiques

Fake Polaroid : Antiques


Louise Bourgeois


seems like someone I should have known better.
As it was, I saw this amazing bloody giant spider in Tokyo.


PS: Gary Bainbridge is more eloquent than I am, here.

Sunday, 9 May 2010

Polarities

A Writer's Extreme Creativity Challenge: Write a story a day, in May. That's it: http://storyaday.org/. Thanks to Richmond Clements for the seed word 'twins''

#9 : Polarities

It was a beautiful evening. Submagi Floren watched the twin suns begin to disappear behind the woods further up the valley and finished her beer. It was time. The waiter took her empty plate and glass. Floren tipped well, and got her coat, sketchbook and pens together. The Blue Sun was the first to descend at this time of year, leaving the sky a deep red.



The evening would remain warm for a while yet. Submagi Floren set off through the streets of the old town. It took half an hour to reach the south gate and to get on the path leading through the Lux-Garden which occupied the valley between the Towers of the two Priesthoods.

Floren knew the paths like the back of her hand, and followed a dark overgrown path leading beneath the Witch Bridge, down deep into the valley, into the shadows and undergrowth. Eventually the stone part of the path ended and he continued through the mud to the point where the sacred streams crossed.

She arrived at a building calved out of the rock of the valley, and knocked on the small wooden door. A bald man, lumpy, ancient and uncivilised looking, opened the door and gestured for Floren to enter. He wore an old shirt, open down to his pot belly, with drawstring pants and sandles. All of his clothes were covered in paint.

“I have arrived Magi” announced Floren, uncertain of what to say, or what rituals and secrets awaited.

The room inside was quite large, two of the walls formed from bare rock, the others brick and wood. Pots of paint, brushes and old canvasses were piled up against the walls. The canvases suggested bodies, animals and broken vases. Floren looked at them, piecing the imagery together. The Magi pointed at one of the two wooden chairs.

“Sit, Submagi Floren, you’ve come for the secrets of our order I take it?”

Floren nodded.

“Ok. Do you want some tea? I’ve just made some”

“Yes Magi” said Floren.

The Magi poured some strong looking tea from a simple looking tea pot and put it on the table in front of Floren.

“Help yourself to milk” he said, gesturing to a small jug of milk.

Floren looked at the tea, and at the Magi carefully, attempting to deduce the correct response.

“It’s just tea” said the Magi knowingly “It’s not mystical tea, it’s just tea. It’s been brewing a while and I have never allowed the teapot cleaned so you might want a bit of sugar too”.

Floren added both milk and sugar. She took a sip of the tea. The Magi poured himself some and sat on the chair opposite.

“Right, secrets of the order. It’s bloody simple. We’re the Priests of the Moon, we make trouble. That’s it” said the Magi.

Floren listened expectantly.

“Oh, OK, if I must.” said the Magi “As you know, our Two Suns are in orbit around each other and this beautifully futile speck of dust is in orbit around both. Both Priesthoods are preparing for the day when the Sun’s separate, and our planet goes with one or the other

“The Priests of the Red Sun and the Priests of the Blue Sun worship their respective Suns from their high towers primarily through the act of perpetual disagreement

“If the Priests of the Red Sun say Shit the Blue Priests will say Piss. And on it goes, with neither rhyme nor reason. This you know of course. Everyone knows it, and yet people feel compelled to pick sides, are told that they must, and assume that one is right and the other wrong, and that in time soon to come the truth will be revealed, our speck of dust planet will go with one and the followers of the other will be flung into the vacuum of space

“In the lower orders of the Two Priesthoods, this remains the teaching, and they are encouraged in the various esoteric arguments supporting their faiths. The Blue sun is older and wiser, the Red younger and brighter. Almost everything a man can think has been assigned a value by one or the other”

Floren took a sip of her tea. She doubted that there was enough sugar remaining in the pot to make this tea approach pleasant. She made another polite attempt to drink. The Magi took a perverse delight at his discomfort.

“Arse holes the lot of them” said the Magi “The Higher Orders of both have secretly accepted another truth, handed to them by our great cities Scientists: The Suns are not about to fly apart, but are in fact, over millennia, moving closer together.

“So they believe that their constant bickering, argument and disagreement is essential to our continued existence, delaying the collision of the two stars using the power of their infinite hot air.

“There’s not an ounce of imagination between them and their idiot binary way of thinking, those joining the Priesthoods just aren’t the types to think outside the box. The higher orders at least realize this... and this, Submagi Floren, is why our order was founded”

Floren looked up from her tea. The Magi sneered at her.

“The Priesthood of the moon was founded to give the Two Priesthoods something to disagree about. We cause trouble. We howl at the moon, we bring dissonance. We don’t even have to try that hard, they’ll find offense in almost anything. Submagi Floren, do you paint? play music? write?”.

“I write and draw Magi” said Floren quietly, fishing in her bag for his sketchbook.

“You write and you draw? Words and Pictures?” said the Magi “The writers and painters hate each other you know?”

“They’re in sequence Magi, see...?” said Floren and showed some of her pages to the Magi. The Magi took them and looked from picture to picture, a story unfolding.

“An artificial planet? why do they all have balloons in their mouths?” asked the Magi.

“That’s what they’re saying sir. It’s dialogue. Like in a play.” said Floren.

The Magi smiled. Floren had never seen him do that. Sneer, yes. Smile?

“A heresy on every page! These people are eating each other” said the Magi “I am fucking delighted!”

“They’re zombies, Magi” said Floren.

The Magi looked genuinely happy.

“I don’t know what that means, but ... well I would normally suggest that you start by painting a prostitutes arse blue and call it art, but this... Words, Pictures and Science and Time all together on a piece of torn off note paper... heh... heh...” the Magi coughed.

“Magi Floren. Go to it. This is going to piss everyone off.”

Friday, 7 May 2010

The Architect

A Writer's Extreme Creativity Challenge: Write a story a day, in May. That's it: http://storyaday.org/. Thanks to Ian Mayor for the words 'architect,light,obsession'

#7 : The Architect

The Tower was destroyed and the people scattered. In less than a generation the One Language had fallen out of use, those who had made their living as speakers and translators had been forbidden from its use, the people believing it cursed.

Without the Tower, they had nothing to unite them.


While many of the Builders and Slaves had been killed where they stood, the King and the Architect had survived, and lived alone in the ruins of the Tower. It would be the last place HE would think to look, and if they had learned one thing, it was that not only did HE exist, but HE jealously guarded the skies.

The two of them became increasingly insane. Their only contact with the outside world was to attack the children who occasionally crept into the ruins from those few families who still lived in what remained of the Old City.

The Architect had been blinded, he had been closest to the light and the wind when HE had struck. The Architect believed that in the split second before he lost his sight, he had seen heaven, and had seen a way to get there. The structure of Light itself was the clue.

Over the years, The Architect lost his memory of the nature of Light, and became obsessed by the notion that it could be a material, which, distilled into solid form, might form the building blocks of a new tower, which HE would not destroy.


Being made of the same material as Heaven, the angels would not identify an intruder explained the Architect to the King.

He further theorised that since light was their material, the Tower could be expanded rapidly and exponentially by the use of cunningly placed mirrors.

This construction would not be rejected by heaven, no Angels, no Un-Bodies would be raised, and using this tower, they would create a needle, stretching not just to the boundaries of heaven, but into the palaces and gardens at the very centre of the city of heaven where they would hide in his many corridors and hallways, multiply and grow, free from the corrupting influences of Earth bound materials.

Once heaven was infiltrated, the Angels could be studied from up close, their sciences and knowledge put to the use of Mankind.

The King, for he too had lost his mind, set out with the Architect to find a Scientist able make Light Solid. Neither had any illusions that they would see this project completed, but they would set events in motion that would free Mankind and remake Heaven in their own image.

Thursday, 31 December 2009

'09 Inspiration Constellation p3

The Ouseburn : Open Studios / OxJam / The Late Shows


These events down in Byker have been fantastic tours of bizarre industrial work spaces, basements and pubs full of art and craft and music. The Open Studio's are restricted to the Ouseburn - as it says on the tin, but The Late Shows include venues across both Newcastle and Gateshead. Really great to talk to all the artists while they attempt to persuade you to drink wine and eat pork pies. Anyway, highlights:
Peter Dillon's Screen Writing course at the Tyneside Cinema


An extremely enlightening course by Peter Dillon at the Tyneside Cinema, relevant to any kind of storytelling, but specifically aimed at Cinema. This covered some things you kind of know but maybe forget to put into practice when writing. Some stuff that I should have really considered when writing Tales of the Hollow Earth, like that your characters are meant to want something and be active, not sort of just hang around watchin' stuff.

Very useful, and there's an advanced course early in the new year that I'll try to get on if it hasn't sold out already. This page should list it but hasn't been updated in a while. Good. I might still have a chance.

'09 Inspiration Constellation p2

Suggestibles : Improv Comedy Workshops

I went to these earlier on in the year. The Suggestibles are a well talented improv. comedy group who also do workshops for beginners. You don't have to intend to be a stand up comedian for these to be useful though, the emphasis (at least at the start) is not on being funny (which was useful), but excercises to loosen up and sharpen up the brain. Which is handy sometimes.

Learned a lot about storytelling on the fly which I've found useful, how to keep things moving in a scene, how to bring new elements to a scene and knowing when a scene is complete. I met some fantastic people at these classes. I'd recommend these to anyone.

Their website doesn't seem to work, but they've a MySpace page. You can normally catch them at their best at the Cumberland Arms in Byker.

Mister Fusty : Over the Rocky Mountains


Rob Gibson's first album with vocals, and it's cracking. This is still one of my favourite albums of this year and tracks from it are on most of playlists. It's hard to say whether the fact that I know Rob and did the cover have any bearing on this, but the fact that he's came up with something as great sounding as this is amazing to me. He just needs to figure out how to sell more now! You can help by obtaining a copy: Mister Fusty explains how on his website.

Anyway, I was also pretty pleased with the artwork, my first work for someone else for quite a while. It was collaged together from Rob's own photographs, and I think the result is 'right' for the sound.

Monday, 26 October 2009

Over the Rocky Mountains - by Mister Fusty

Over the Rocky Mountains is the latest album by Whitley Bay based guitar/computer fiddler Mister Fusty, also known as Rob Gibson. It's his first to have vocals, and despite being a bit shy about it, it's damn good. Before I became familiar with the songs I would often find myself thinking 'why! who is this fantastic band' as he passed through my random shuffle.


Atmospheric, textured, alive, Mister Fusty's latest reminds me of Mercury Rev, Grandaddy, that kinda thing. Go visit his website, he links to plenty of places for you to listen to the album for free or even purchase if you like, like: http://misterfusty.com/

Oh yeah, I did the cover art, based on a handful of Mister Fusty's photographs from his recent trip to canada.